艺术家西尔维亚邦巴(Sylwia Bomba)的《艺术家的解剖学指南》(The Artist's Guide to The Anatomy of The Human Head)展示了如何将角色的情感融入到生活中。
"The Artist's Guide to the Anatomy of the Human Head" artist Sylwia Bomba demonstrates how to bring a character's emotions to life with small details...
步骤1:主要形状
在开始的时候，我们需要了解我们想要交流的是什么，然后分析我们将如何去做。首先，用细微的笔刷勾画出主要形状。我想把重点放在她的表情上，所以这是我在主要形状之后画的第一件事。通过她的隐形线条，我想把观众的眼睛吸引到小蜻蜓。 然后，我清理我的笔触。
Step 1: Main shapes
At the beginning we need to understand what we want to communicate and then analyze how we're going to do it. First of all, I sketch the main shapes with subtle brushes. I want to focus on her expression, so this is the first thing I draw after the main shapes. Through the implied lines of her cloak I want to draw the viewer's eye toward to the little dragonfly. Then, I make a clean up of my brush strokes.
步骤2:基本颜色
现在，在清理干净后，我准备先画基本的颜色。我用暗色的背景来强调场景的戏剧性。正如你所看到的，我只用了三种类似的温暖的肤色。她的脸被更冷的光线照亮，形成了一些对比，吸引了观众的注意。她的左手是故意大一点；由于透视，它更接近观众。
Step 2: Basic colors
Now, after the clean up I am ready to paint first basic colors. I use dark tones for the background to emphasize the drama of the scene. As you can see, I've used just three similar, warm skin tones. Her face is illuminated with colder light to create some contrast and draw the viewer's attention. Her left hand is a bit bigger on purpose; due to the perspective it's closer to the viewer.
步骤3:更多的细节
我开始在她的脸上添加更多的细节，并定义更好的蜻蜓。我的主要目的是通过她的表情来展示她的灵魂，所以我在她的眼睛上加了一点光来表示眼泪。她眼睛周围的红肿暗示着她以前可能哭过一段时间。有时小的差异和瑕疵会很吸引人——所以我在她的牙齿上加了一点空隙。
Step 3: More details
I start to add more details on her face and define better the dragonfly. My main purpose is to show her soul through her expression, so I add a bit of light on her eyes to suggest tears. The redness around her eyes suggests she might have been crying a short while before. Sometimes small differences and blemishes can be appealing - so I add a little gap in her teeth.
第四步:定义
我继续在她的脸上和头发上定义细节。我又在她的斗篷里画了一下，试着去理解代表她纯洁形象的最好的方法。她的小下巴上有一种几乎看不见的小泪珠，可以帮助她强调自己的情感。她眼睛周围的一些暗色调会让她看起来有点累，可能还没洗。因为孩子们没有太多的皱纹，所以我试着让她的前额肌肉变得更紧。
Step 4: Defining
I continue defining the details on her face and her hair. I sketch in her cloak again and try to understand the best way to represent her innocent image. A small, almost invisible tear on her little chin will help to emphasize her emotions. A few dark tones around her eyes will make her look a bit tired and maybe unwashed. Since kids don't have many wrinkles, I tried to make her forehead muscle tenser than would be in reality.
步骤5:最后的触动
所有的步骤都是关于在添加和删除细节之间找到一个和谐。我总是试着用“少意味着多”的方法。我模糊了她的左手，在阴影中给人一种深刻的印象，在她的脸上增添了更多的对比和光芒。她额头上的阴影创造了一些神秘，也暗示着一个更大的环境。我不想展示所有的东西，只是提些小建议。她的脸有更多的细节和笔触，只是因为它应该是我们肖像的焦点。
Step 5: Final Touches
All the steps are about finding a harmony between adding and removing details. I always try to apply the method of "less means more." I blurred her left hand in shadow to give an impression of depth and added more contrast and light on her face. The shadow on her forehead creates some mystery and also implies a greater environment. I didn't want to show everything but just make small suggestions. Her face has more details and brush strokes just because it should be a focal point of our portrait.
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